COMPOSITIONS

ORCHESTRAL WORKS

1st Symphony “KRAFTWERK” (2009)
Sofia Philharmonic Orchestra, CD release 2012 “Kraftwerk”; OehmsClassics

2nd Symphony (2016)
RTV Symphony Orchestra Moscow
CD release 2017 “The Moscow Recording”; TYXArt

Vier Sinfonische Fabeln (2019)
for large orchestra and speaker | Lyrics: Helen Brecht; commissioned by Mozarteum University Orchestra

Käfer töten (2018/ 2021)
songs and performances for chamber orchestra, boy soprano and actor | Lyrics: Alexander M. Wagner
Premiere 2018 – Solitär Mozarteum, Salzburg

STAGE MUSIC

Opera “ADMIN“ (2024)
Libretto: Johanna Kapelari

OPERETTA “Café Ringelspiel” (2018)
Libretto and Co-composer: Lukas Metzenbauer

 

CHORAL WORKS

Octocorallia (2023/24)
for mixed choir, Japanese bell chimes and light; Text: Helen Brecht 

Andacht (2021)
for bass-baritone, mixed choir and chest organ | Lyrics: Ave Maria (liturg.); Charles Baudelaire, “Les Fleurs du Mal”

Die Sonne sinkt (2014)
for six voices | Lyrics: Friedrich Nietzsche, “Dionysus Dithyrambus VI”

Es weint die Nacht (2012)
for mixed choir | Lyrics: Georg Trakl | Premiere November 2014 – Passau; Heinrich Schütz Ensemble

VOCAL / INSTRUMENTAL WORKS

Humanoskop (2024) for string quartet

Rosendorn (2023) for bass-baritone, speaker and salterio; premiere: June 2023, Salzburg Commissioned by Summer Academy Mozarteum

Käfer töten (2023) for voice, flute, clarinet, violin, cello and piano; premiere: October 2022, Künstlerhaus Munich; Graham F. Valentine

Rhapsotüde (2021) for sextett: fl, cl, vl, vla, vlc, piano; premiere: April 2021, London; Explore Ensemble

Nänie für das Menschentier (2021) for bass-baritone, lyre und Loop Station Text: Johann Wolfgang von Goethe „Eins und Alles“

Arien ohne Vorhang (2019/2020) 8 experimental Chansons for Chansonette, melodica, Loop Station & prepared piano; Text: Helen Brecht – premiere: 2020, Salzburg

Triptychon (2017) for soprano, tenor, bass, tambourine, castagnet, rototom & gong. Text: Alexander M. Wagner; premiere: November 2017; Opera of Bari, Italy

Minimal Requiem (2020) for sextett: fl, tenor sax, bcl, vl, vla, vlc; premiere: April 2021, London

Die Konkubinen Süleymans I. (2019) for 8 pianists on 3 pianos, Janitschar-box, triangel and headset Based on: Ludwig v. Beethoven; Türkischer Marsch premiere: October 2021, Beethovenfest Bonn

Café Ringelspiel (2020) Suite for violin and piano; Waltz, Tango & Polkas from the operetta

Chaconne (2017) for solo violin

Couplets „Der Jahrmarkt-King“ (2021) for two Harmonikas and voice; Co-Composer: Lukas Metzenbauer; Text: Franzobel

Das kleine Horn (2017) for mezzo-soprano, horn & piano; premiere: 2017, Munich

Reger-Variation for clarinet and string quartet (2015) Carmina-Quartett & Wolfgang Meyer, clarinet; premiere: 2016, Max-Reger-Halle Weiden

Fünf barocke Stücke (2016) for oboe d’amore – premiere: 2016, Salzburg

Auftakt-Variationen (2016) for ob, vla und vlc – premiere: 2016, Salzburg 

PIANO WORKS

Miniaturen über Mohn (2020)
for piano solo | Premiere October 2020 – Anif

Traum einer Maschine (2018)
for two pianists, megaphone and feed | Premiere April 2018 – Baden-Baden

Rhapsotüde (2017)
for piano solo | Premiere September 2018 – Beethovenfest Bonn 

Traumgewächse (2017)
comprovisation for piano solo 

INFERNO (2014)
for piano solo | Premiere 2016 – Munich, Herkulessaal of the Residence | CD release 2014 TYXArt.

Les-Adieux-Burleske (2013)
for piano solo | Commissioned work on the occasion of the farewell of Intendant Ilona Schmiel | Premiere 2013 – Deutsche Welle, Bonn 

Prélude explosif (2017)
for piano solo | Arrangement: S. Rachmaninoff, “Prelude op. 23/2”

Diatonische Fantasie (2012)
arrangement for two pianos | J.S. Bach, “Chromatic Fantasy and Fugue BWV 903” | CD release 2012 “Kraftwerk”; OehmsClassics 

Toccata (2009)
for piano solo | Premiere 2010 – Friedrichshafen

Graphic Works:
Mohn auf Wolken (2020) Comic Art
Pi für Violino (2019)
Die Nymphe einer Großstadt (2019)
Ball der Monaden (2020)
Fünf DNA_Preludes (2019)

Audio-Graphic

Alexander Maria Wagner | Komponist/Pianist| grafische Arbeiten

Mohn auf Wolken
Comic ART 2020